by Katarzyna Paszkiewicz Abstract. This video essay juxtaposes selected footage from Nomadland (2020) and Anthropocene: The Human Epoch (2018) to explore the films’ hauntological landscapes, proposing a creative engagement with the dilated durations of “environmental time” (Nixon 2011). By weaving together different temporalities of extractivism and extinction by means of multiple-screen format, it poses questions about the capacity of videographic ecocriticism to make…
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